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	<title>낭만주의자의 취향</title>
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		<title>열망과 한계 사이에 펼쳐진 무한의 시공간- Jeremy Denk [Ligeti / Beethoven]</title>
		<link>http://moon1016.jbyun.com/8985</link>
		<comments>http://moon1016.jbyun.com/8985#comments</comments>
		<pubDate>Thu, 10 May 2012 08:41:21 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[낭만주의자의 취향]]></category>

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		<description><![CDATA[*앨범 전체 듣기는 이번주 일요일까지만 가능합니다. ( Listen) When conversation fails, art comes out. Art’s a tool for emergencies, a replacement, a pacifier. We look at something together and hope the same electricity flows through us both, revives our flagging <a href='http://moon1016.jbyun.com/8985'>[더 읽기...]</a>]]></description>
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		<slash:comments>6</slash:comments>
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		<title>Schumann: Piano Quintet Op.44,47 (Jerusalem Quartet &amp; Melnikov)</title>
		<link>http://moon1016.jbyun.com/8972</link>
		<comments>http://moon1016.jbyun.com/8972#comments</comments>
		<pubDate>Mon, 07 May 2012 01:42:12 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[Schumann]]></category>

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		<description><![CDATA[Jerusalem Quartet &#38; Melnikov Listen(전체 앨범) 기다리고 또 기다렸던 예루살렘 쿼텟의 슈만 신보.  미국 아마존에서는 5월 8일 발매예정. Harmonia Mundi에서  트랙 한 개를 샘플로 공개했기 때문에 얼마전에 들어본 이후 기대감이 이만저만이 아니었는데&#8230;.  앨범 전체를 다 들어보니 예상했던 것에서는 약간 빗나간 느낌이다.  뭐라 <a href='http://moon1016.jbyun.com/8972'>[더 읽기...]</a>]]></description>
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		<slash:comments>13</slash:comments>
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		<title>젊은 브람스에게서 마주친 슈베르트, 그리고 슈만의 흔적- Brahms Piano Quintet Op.34</title>
		<link>http://moon1016.jbyun.com/2477</link>
		<comments>http://moon1016.jbyun.com/2477#comments</comments>
		<pubDate>Wed, 25 Apr 2012 03:00:54 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[낭만주의자의 취향]]></category>
		<category><![CDATA[Brahms]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Schumann]]></category>

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		<description><![CDATA[* 1862년 string quintet(현악 오중주)으로 작곡을 시작한 이 곡은 악기 구성면에서나 전개면에서나 슈베르트의 퀸텟(D.956)과 너무 유사한 느낌이라는 평가를 받았었다. 사실 비 전문가인 내 귀에도 딱히 신경 쓰고 듣거나 악보를 보지 않는데도 불구하고 연관성이 꽤 직접적으로 귀에 확 들어올 정도다. 1악장 발전부 <a href='http://moon1016.jbyun.com/2477'>[더 읽기...]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>타인의 숨결이 다가오는 곳, 슈베르트의 피아노 듀엣들</title>
		<link>http://moon1016.jbyun.com/4675</link>
		<comments>http://moon1016.jbyun.com/4675#comments</comments>
		<pubDate>Tue, 17 Apr 2012 17:00:36 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[Schubert]]></category>
		<category><![CDATA[낭만주의자의 취향]]></category>
		<category><![CDATA[4 hands]]></category>
		<category><![CDATA[piano]]></category>

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		<description><![CDATA[&#8230;. the duettist&#8217;s position is anomalous&#8230;. he shares his very instrument, over which he thus loses a measure of control&#8230;. What all this suggests is that the aim of four-hand music should be to evoke a single persona, not by <a href='http://moon1016.jbyun.com/4675'>[더 읽기...]</a>]]></description>
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		<slash:comments>16</slash:comments>
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		<title>1828년 3월, 슈베르트의 연주회 (1828.3.26)</title>
		<link>http://moon1016.jbyun.com/3868</link>
		<comments>http://moon1016.jbyun.com/3868#comments</comments>
		<pubDate>Mon, 26 Mar 2012 14:38:46 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[Schubert]]></category>
		<category><![CDATA[낭만주의자의 취향]]></category>

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		<description><![CDATA[The hall was crammed, every single piece was greeted with overwheming applause, the composer was recalled times without number&#8230;. Baurenfeld Everybody was lost in a frenzy of admiration and rapture. There was clapping and stamping&#8230;..Marie von Pratobevera * 1828년 3월 <a href='http://moon1016.jbyun.com/3868'>[더 읽기...]</a>]]></description>
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		<slash:comments>12</slash:comments>
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		<title>BBC Radio3 &#8216;The Spirit of Schubert&#8217; 방송 선곡표 (3/24~3/31)</title>
		<link>http://moon1016.jbyun.com/8905</link>
		<comments>http://moon1016.jbyun.com/8905#comments</comments>
		<pubDate>Sat, 24 Mar 2012 05:48:37 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[Schubert]]></category>

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		<description><![CDATA[이번 주부터 한 주 내내 (3월 31일까지) BBC Radio 3 에서 진행하는 The Spirit of Schubert 선곡표 ( 약 200시간에 걸쳐 슈베르트 음악만 방송) 이 기간동안 열리는 라이브 콘서트들은 물론이거니와, 슈베르트의 전 생애와 작품 전반을 특정 주제로 묶어서 해설과 함께 방송합니다. <a href='http://moon1016.jbyun.com/8905'>[더 읽기...]</a>]]></description>
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		<slash:comments>8</slash:comments>
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		<item>
		<title>Why I Hate The &#8216;Goldberg Variations&#8217; (by Jeremy Denk)</title>
		<link>http://moon1016.jbyun.com/8855</link>
		<comments>http://moon1016.jbyun.com/8855#comments</comments>
		<pubDate>Wed, 21 Mar 2012 06:31:00 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[낭만주의자의 취향]]></category>

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		<description><![CDATA[The Goldbergs are like a friend you have who always does everything right. This friend always answers his emails, keeps a clean house, has a kind word for everyone, behaves properly at concerts, writes thank you cards, grooms himself assiduously, <a href='http://moon1016.jbyun.com/8855'>[더 읽기...]</a>]]></description>
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		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Korngold /Suit for two violins,cello,piano left hand(op.23)</title>
		<link>http://moon1016.jbyun.com/8835</link>
		<comments>http://moon1016.jbyun.com/8835#comments</comments>
		<pubDate>Thu, 15 Mar 2012 10:09:51 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[낭만주의자의 취향]]></category>

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		<description><![CDATA[텀블러에 썼던 글. http://grafpiano.tumblr.com/ 봄이면 자주 듣게되는 코른골트의 실내악들, 구 중 각별히 매력적인 곡. 오른팔을 잃은 피아니스트 비트겐슈타인을 위해 쓴 두 번 째 곡, 코른골트의 Suit for two violins, cello and piano left hand (op.23) . 다섯 개의 악장 속에 바흐,왈츠,가곡,변주곡등이 <a href='http://moon1016.jbyun.com/8835'>[더 읽기...]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>자아가 [화자]가 되어버린 곳, Schubert Octet D.803</title>
		<link>http://moon1016.jbyun.com/3696</link>
		<comments>http://moon1016.jbyun.com/3696#comments</comments>
		<pubDate>Fri, 09 Mar 2012 07:40:05 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[Schubert]]></category>
		<category><![CDATA[낭만주의자의 취향]]></category>
		<category><![CDATA[D.803]]></category>
		<category><![CDATA[Octet]]></category>

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		<description><![CDATA[Schubert has now long been at work on an Octet, with the greatest enthusiasm. If you go and see him during the day, he says,  &#8221;Hello. How are you?-Good!&#8221; and carries on working, whereupon you leave. &#8211;  Letter from Moritz <a href='http://moon1016.jbyun.com/3696'>[더 읽기...]</a>]]></description>
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		<slash:comments>15</slash:comments>
		</item>
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		<title>살다 보면 좋은 날도&#8230; / Frühlingsgesang (Spring Song) D.740</title>
		<link>http://moon1016.jbyun.com/8785</link>
		<comments>http://moon1016.jbyun.com/8785#comments</comments>
		<pubDate>Wed, 29 Feb 2012 10:26:14 +0000</pubDate>
		<dc:creator>그림자놀이</dc:creator>
				<category><![CDATA[Schubert]]></category>
		<category><![CDATA[낭만주의자의 취향]]></category>

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		<description><![CDATA[* 1822년의 봄, 빈의 하늘은 오페라를 손에 든 자를 향해 찬란하게 빛날 준비를 하고 있었다. * 1821년 가을, 커미션을 받아든 채 성공을 확신하며 근사한 오페라를 쓰겠다며 여행길에 올랐던 젊은이 둘은, 이듬 해 겨울, 오페라 하나를 손에 들고 빈으로 돌아오게 된다. <a href='http://moon1016.jbyun.com/8785'>[더 읽기...]</a>]]></description>
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		<slash:comments>13</slash:comments>
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